| 10 Aug 2000 | Tasha Kotraseva aka Isca Lox | Great, well, as all of your pictures. I like the background, it looks as though he's coming out of a hole in the ground. Nice loose style, but nevertheless great work on anatomy. | |
| 10 Aug 2000 | Lupus | nice and simpel i like the way he's in a frame kinda a bit surealistik ohh bad spelling but who cares | |
| 17 Aug 2000 | Igino Giordano | copics, hmm? ireally like this very much! has just a nice composition, i think. anyhow, hey! Ralph Mc Quarrie is one of my socalled paragons too! got all of his books ...  | |
| 30 Dec 2000 | Alex Aal | I agree with the sketches showing more movement than the finished piece. Often I have been frustrated by the fact that a sketched figure looks dynamic, while the version in the finished piece looks wooden in comparison. Also I think a sketch shows more of the temprament of the artist than the finished piece where most of the artistic decisions have been made in advance or have been carefully thought over. | |
| 12 May 2001 | Ken McCracken | Yeah, I like this one alot. I like the loose sketchy quality of it, and it has alot of dynamic motion and flow to it. The hightlights are in the right places and really makes this jump off the page. If you hadn't put that dark box behind him, this pic would not have been nearly as good. I don't know if that box is some astral door opening, or a window in an old castle, but it does suggest a place where the demon is coming from. I saw the light, got in a drawing frenzy and created this one in just a few minutes, I hope to experience that state more often (wow!) | |
| 21 May 2001 | Coen de Moor | I like the fast sketchy lines.Me too =)) | |
| 17 Nov 2001 | Tansy Pye | I like the blocks of shade or colour you use to border you sketches and they way you then break them by over lapping bits of anatomy through them. sigh   Addy 'borqje' Corstiaensen replies: "You can compare the border with a piece of paper and the overlappings with a character stepping out of it, your fantasies becoming real!" | |