| 24 Dec 2000 | Harpreet K. Dhandal | It's such a soft and flowy picture. Brings about serenity...it's the first pic of yours i've seen, and i'm going on to others!!
Serenity. Heh... very cool, Harps, very cool. | |
| 12 Jan 2001 | Tara Funk | This picture strikes me as very delicate and very beautiful. I must say you did an excellent job here, Em. I agree on the sense of serenity in this picture, yes, I do. | |
| 22 Feb 2001 | John Teall | i'm tempted to build a model of almost the exact same thing i'm seeing here except the person of course wouldn't look anything like her - but it would be a platform to play around with lights and transparencies and stuff - well that's one of those may or may not ever get around toits and if and when i ever do it probably won't look anymore like what you had in mind then my space cows resemble charlie adams' 'bull from the cows' - but looking at this that crosses my mind ... i mean it does have a sense of depth and space which is sort of one of the main things that appeal to be - i don't mean big space that is certainly there - just that convincing feeling of 'placeness' to the space(es) depicted ... (actualy i did see one done 3d that was a bit similar compositionaly - i think it was called atlantus or something like that - only in that one the it was like the bridge was just emerging from the water and looked trecherously slippery - which makes it a totaly different thought then this or what i'm getting from it either - but i like how it seems (at least to me) to say a bridge with no railing ain't no big deal as long as your the only one on it at the time (and there's no one watching to make you nervious and so on ... well i suppose that's nothing like you had in mind either - just the eligance of simple geometries seen from a distance - which is kind of a contrast to my ususal approach - (don't worry - that doesn't mean i'm about to throw out the importance of human scalling transitional spaces ... ~  | |