| 10 Apr 2001 |  Nathan Neil Phillips | It gives most impressions of being a spirit of evil, yet the face shows no malice and appears feminine. The way you describe it makes it sound like an unexplained bad mood. The picture actually makes me think of a Froud pic. | |
| 20 May 2001 |  Lisa Ann Luxton | Ohh . . . intense. I love your use of color. | |
| 26 May 2001 | Tobias Lambrecht | although, the night theme is only symbolically for the dark
human sides as such here, and well, those symbolic thingies
in connection to human soul are quite interesting and usually
depicted dark or with some frightening emotion. This is what
i like here: one cannot see a clearly defined emotion | |
| 26 May 2001 | Tobias Lambrecht | Yup, these colors are fabulous...poetic title...and i like
the interpretation of the "night" idea, because usually, it's depicted black or at least "sombre" in any way, but this
is different and works just as well! | |
| 7 Sep 2001 |  Kalorlo (Heather Kelly) | And, like much of us, expresses ambiguity and contradiction... 'Don't look inside, it might burn...' | |
| 3 Dec 2001 | Ally-poo | To wake from a dream into a darkness aflame and still luminous with the undying embers of your own magic soul-song ...is what I thought. | |
| 29 Dec 2001 |  H. T. Y. A'Deline | Your work is intensely psychological...It appeals to the subconscious, the psyche...Ahhh...The redness of this simply captures the mind and makes one think of all kinds of dreamlike and wondrous things... | |
| 18 Oct 2002 | Orin Drake | I just, love, the colors. Go figure, I suppose. *grin* | |
| 19 Oct 2002 |  S 'faething' VanDenEng | Guardian... or nightmare? | |
| 12 Mar 2003 |  John R. Toohey | this is beautful and deep.. I would love to see gold acrylic splattered on this one... these images you're capturing are strange and beautiful, filled with mystery and subtle magnificence... they strike me as architypal in a way, almost like they could portray anciant syrian gods or dark, forgotten dieties of ancient Mu... beautiful and intruiging! | |
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