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'Constant Companions: Lust War and Pestilence'


 
 

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Click For MoreSF&F Picture 1 out of 6 by Kimberly Annzebary Herold.

SciFi and Fantasy Art: Constant Companions: Lust, War, and Pestilence

Female embodiment of lust, war, and pestilence.

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Image censored due to its Parental Rating level (#4 of 4), as set by the artist...

Constant Companions: Lust, War, and Pestilence - SciFi and Fantasy Art by Kimberly Annzebary Herold
©Kimberly Annzebary Herold. All rights reserved!

 Categories                          Dream Imagery  
 Techniques                          Oil Paint  
DateNameComment 
6 Jun 2001:-) G. H. 'Trace' Webster III
This is quite possibly the most original "4 Horsemen" pic I have ever seen. Kudos!
13 Jun 200245 Natalia
WOW. i wonder why so few people have commented, this picture is nothing short of amazing. it's so raw, truthful, and it speaks volumes about humans at their core.
1 Jul 2002:-) Annalng
I can't really make anything out except the figure in the middle... if it was bigger... but, ya know, size requirements. good idea! wow, so original!
10 Apr 200345 Helyna
This - and many other pieces in this gallery - is reminicent of Francis Bacon (the painter, not the philosopher), especially in the treatment of colour and texture, and with the fixation on a theme (here, crucified women).
17 Nov 200445 Birds
Was this inspired by another painting? The title sounds familiar. This is the most developed of all of your work. This one has a depth that the others are missing. How long did it take?
24 Nov 2004:-) Kimberly Annzebary Herold
Thank you for all the comments - especially the one about Francis Bacon. I've become more familiar with his work since I first read the comment, and he is quite inspirational. At some point, I might be able to acquire a better image of this painting. This is my first sold piece, and I'm friends with its owner.

birds, the piece may have taken anywhere from a few hours to a few days to complete - I don't remember - but the bulk of it was done within a few hours. It was my first and one of my best oil paintings.
It is based loosely on a conceptual painting with the same title by Judson Huss.
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