| 20 Feb 2002 |  Clayton Tait | she reminds me a bit of Dark Angel Babe. I like the pic in the lower right corner the best myself...especially her shoe. And the fact that she's so purty. | |
| 24 Feb 2002 |  Lisa Ann (Jae) Andresen | hooray for preliminary work! You have a wonderfully firm grasp of the human form... other than the requsite "practice" what sort of things have you found helpful in helping you understand anatomy so well? Hey, you provided tips once before... and I figure one can always learn. I love Elfwood, don't you?   Daniel Daya Landerman replies: "Daniel's Reply: Heya Lisa! thanks for all the commentary  it deffinately keeps me drawing. Other than the practice I would say studying anatomy is a must if you wish to get a grasp of the human body and its kinetics. I don't mean just drawing from an anatomy book, though that does help, but I mean memorizing the muscles and the bones that create visual landmarks. By that I mean bones that are visible under the skin, though in truth you should memorize all the bones. The muscles, you need only learn the ones that are visible, but you should also learn what they're used for. That way you will know when to make them stressed, and when to make them relaxed. So, anatomy, together with loads and loads of life drawing (60-100 pages weekly minimum) should get you well on your way to mastering the art of the human body... a journey that never ends, thankfully and yes, Elfwood rocks!!" | |
| 24 May 2002 |  Alicea Rea Tresidder | I am really apriciative of your advice given to those who have asked! I can tale this advice (and others here) and apply it to my work! Thanx, and beautiful work! (Can we see more?) | |
| 25 Aug 2004 | Anonymous | Very cool! I like it! | |
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