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'Sarahn the Priestess of Tume'


 
 

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SciFi and Fantasy Art: Sarahn the Priestess of Tume

She started out as a doodle, and turned into a character that I absolutley have to do something with, any ideas? I'm rather disappointed that her expression didn't turn out to well, she was supposed to look surprised. This is to show you all how rotten I am at 'normal' Photoshop coloring.

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Image censored due to its Parental Rating level (#4 of 4), as set by the artist...

Sarahn the Priestess of Tume - SciFi and Fantasy Art by Lisa Coleman
ŠLisa Coleman. All rights reserved!

Categories: [Angels, Religious, Spiritual, Holy] [Erotic Fantasies, Sexy...] [Woman, Women]
Techniques: [Pencil/Graphite Pen] [Computer-coloured Picture]
DateNameComment 
12 Jan 200345 Willow Firesong <
I've been trying to wait patiently until I can login to add these comments, but I can't resist commenting on this piece - because the image proclaims its own deep mythic origins so clearly! It is, to me, quite clearly an image of a votary of a deity who requires a degree of sacrifice uncommon to most in our current era; but, despite that, how many times have you heard someone say that they'd "give their right hand" to be the chief priestess of any god or goddess who would grant them real power? Obviously with this deity, that bargain works.

Oddly enough, I could also see this piece as one of those brightly painted clay sculptures, such as are commonly made of the deities of the Hindu pantheon. I think that SacredSource.com makes or carries some pieces of the type in question. 2 I agree that this isn't your best medium - but the quality of your other skills, and your inner artistry and vision, all show through regardless.

:-) Lisa Coleman replies: "Self-sacrifice, that's a good one I hadn't thought of before. I was working on the assumption that she had been born with the deformity, and had been sent off to her culture's of a convent for the useless! Or that she was considered the embodiment of a one-armed goddess. I love getting outside opinions. "
12 Jan 2003:-) Megaera Callisto Lorenz
This one looks to me like a 15th-16th century Spanish engraving -- one of those early depictions of the exotic peoples that Europeans were encountering for the first time in the Pacific and the Americas. I can't think of any ideas right off hand . . . but I agree, this is a fascinating character!

:-) Lisa Coleman replies: "She definitly does have a rather exotic look to her, doesn't she? I was looking through a book of costumes when I drew her, specifically with pages open to Egyptian and Minoan ones."
13 Jan 200345 Willow Firesong <
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I finally managed to zero in on part of why I see this figure as such a powerful one - the crest/veils headdress would require poise and strength to carry off, and would further inhibit her ability to defend herself if threatened - therefore, one must assume that either she has so much power that she is not allowed to be threatened, or so little that she is not allowed to defend herself (or both). I don't see threatening the clergy as a societally accepted norm, so the stronger image seemed more consistent with a priestess; even if she isn't allowed to defend herself physically, she is protected by her status, and perhaps by her god/dess, so that she does not need to.

So, I see her crest as being very much like a male peacock exhibiting his ability to survive despite the hindrance of his enormous tail, with its size denoting his 'handicap', as in golf - the amount by which the individual is above average can be determined by assessing the size of the handicap that they can overcome and still come out on top, (and impeccably groomed). Throughout nature we see the top breeding stock (usually but not always the males) advertising that by sporting a large useless handicap, such as an impractical tail or comb or crest.

We even see it in the comment that "Ginger Rogers did everything Fred Astaire did, only backward and in high heels!" - in other words, her ability to overcome her handicap ("backwards, and in high heels"), and succeed anyway (did everything Fred Astaire did, and he set the bar for the field), proves her to be of superior skill.

So I see the crest as a handicap that proves this priestess' immunity from threat, based on the fact that she apparently thrives despite it. I also see it as a suggestion that perhaps this is a prominent individual, whose presence is to be noticed and deferred to, and whose location needs to be noted so that she is not accidentally transgressed against, by so much as bumping against her or soiling the hem of her skirts.
13 Jan 200345 Willow Firesong <
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P.S. When I said it wasn't your best medium, that's only because I've seen your other work, and some of your "pencil and photoshop" pieces make my jaw drop! You went and set yourself a very high standard to live up to, in those pieces! This piece is good, I wouldn't call it lacking, it just doesn't knock me into an awestruck silent reverie where I lose chunks of time without realizing it. <smile> It really does have that "painted" look, though - I checked against the statues last night, and they do look very similar.
13 Jan 200345 Willow Firesong <
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31 Dec 2003:-) Margaret R. Taylor
Well, about the expression - I think you've got her face drawn right to express surprise, but her head should be pulled back a bit, as if she's recoiling from whatever surprised her.
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