| 11 Apr 2000 |  Melody | Your women have changed compared to your earlier work. I'm glad to see you have a few, "a little less endowed". The faces seem to have an intense longing. For what I don't know. I like your "phat" women, they look real. | |
| 27 May 2000 | Kate Shenk/Etak the Thivis | You do women so well, it would be incredibly surprising if you didn't like to draw them. I agree with Melody. The realistic women tend to impress us more because...because...well, they're more realistic that those wasp-waisted, twenty-ton chested females that you will find sometimes in Elfwood. | |
| 10 Jun 2000 |  Tanja Rún Jónsdóttir | who doesn't? Love your style. The women don't look pin-uppish. | |
| 16 Sep 2000 |  James M. Keegan | Okay, you've heard this from alot of people, but your style is excellent. Like something from a deck of tarot cards. You use bright colors to good affect, where other artists use darks. An interesting scheme. I also like your women. They are very realistic, which truly enhances your pictures. Worderful work, Mr. McVey. | |
| 31 Aug 2001 |  Kenn Baum | Very nice piece. Thanks for sharing | |
| 3 May 2002 | Kim Vivian (aka) Saffron | Alphons Mucha has always been one of my favorites too. You also have the "magic" too, delicate understated style and formatand softness of color. I am very attracted to all of your work. Somehow you have modernized this feeling of Art Nuveau, re-defining it into your own nitch. I'm hooked! Namasti | |
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