| 2 Aug 2000 | Axel | nice, the candles add an original touch, explains the light. | |
| 29 Oct 2000 | Christiaan, A.Iken | i dont critiscise unless someone wants me to, so here goes. its a lovely use of technique and i love the monochromatic nature.but be careful with your drawing, the arm thats bent back , his right arm looks wrong. its meant to be foreshortened, but i feelthat his arm is not foreshortened,, just too short, and his forearm is too thin, and the hand too small.the rest is great.maybe with light, if you just highlight some areas instead of the whole, get more of a chirascuro feeling, but it works apart from the sligtlytwisted arm, okay take this witha pince of salt. i konw nuthing.i like it though. | |
| 2 Jan 2001 | Veronika Kronnäs | Wow, great light and shadows! It feels real! In spite of the strange shape of that mans arms (i.e. I agree with above comment on the arms). | |
| 30 Dec 2001 | Julie R. Kowalski | Perfect..very scary and the detail on that table...excellent! | |
| 4 Aug 2003 | Scribe | I think *I hope I'm right here* that people are missing the point of the picture. Isn't the guy who would be looking at this "picture" i.e, us, the drunkard? That means that the artist has distorted the arm slightly, and if you look at the point of the blade, this is a lot closer than the handle. So in the eyes of the drunkard, things are distorted, and the rooms is swimming? I think this is fantastic, and I hope to goodness I'm right, or I've just insulted this picture.... heh heh | |
| 11 Oct 2003 | Tarpalsfan | Good job, foreshortened arms are hard to draw. Guess what I'm having trouble drawing right now? | |