| 21 Oct 2003 | Michael James Liljenberg | Thank you for letting us republish this article. | |
| 22 Oct 2003 | Anna Tordai | Wow from the image it is obvious a lot of work went into it but now you can see just how much work. It's very nice to see an artists technique bit by bit. | |
| 25 Oct 2003 | Jonathan Mayer | Wow, I really admire your technique. I don't think I have ever spent that much preparation time and sketching on a painting. Beautiful work, keep it coming! | |
| 30 Oct 2003 | Iris compiet | This has to be one of the best I've read in months. I myself try to do some watercolor but don't succeed very much. I seem to smudge and smear. Sometimes, occasionaly there is one which succeeds but the rest is crap. Now I know a different way of working I'll give it a try. Hope to show the result soon. Thanks for teaching. | |
| 31 Oct 2003 | Rhodri McCormack | Yeah great article, best here easily. Was thinking of doing a water colour next, so this was good timeing for me. Thanks man. | |
| 20 Nov 2003 | Mike D | Thats an awesome picture!! | |
| 15 Dec 2003 | Emilie ~*Nienna Vala*~ Dingler | It's seriously gorgeous, but I have a question.
In Mablung's hair and his broach, there are white lines, as detail...
How do you do those? Do you leave space blank? Or do you go over it in white? | |
| 15 Jul 2004 | Topaz Waters <etvermette@hot...com> | Oh wow. Wow wow wow. AMAZING pic-- and thank you for being so informative, I'm awful at watercolors and I'm trying to see if I can improve a bit. Great article! | |
| 5 Jun 2006 | Anonymous | This really is amazing! Not only because it is just a beautiful watercolor, because you showed us the sketched stages. Most tutorials start after the sketches are done, and I really like how we got to see the conceptual stages. So thank you very much. | |