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Camilla ´Motone´ Whitney

"FADE TO BLACK" by Camilla ´Motone´ Whitney

SF&F Picture 5 out of 20 by Camilla ´Motone´ Whitney
 
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Written in my lonely hours before school started. My apartment building is so ancient...

Anyway, I may or may not add this concept to Nottingham. If I do, it'll be small.
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FADE TO BLACK

 

            The light overhead throbbed almost imperceptibly, but to Thomas’ enhanced state of weariness, the throb pounded into his eyes, magnifying the headache at the back of his head and forcing it to branch out and relocate between his eyes as well.  The only sounds in the house were water running through the pipes, the occasional creak of the house trying to trick him into thinking someone else was there, and the sound of his jagged breathing. 

            He closed his eyes halfway, then blinked them blearily open.  A thick sweat had formed along his brow and upper lip.  He fought his exhaustion with every dry inhalation of musty air, pain raging through his side as he breathed in, pain dimming to match the throb of the lights as he breathed out.

            He tried to wade through the fog in his mind.  What was it?  What had happened that now he was alone in this house, the bandage wrapped around his stripped torso soaked in blood, waiting for… for something, but he couldn’t remember what.  There were soldiers—well, he thought they were soldiers, they had weapons. 

Now it seemed the whole house was pulsing along with the beat in the light and his side.  But he had to remember.  There was a reason he was here, how what was it?  The soldiers—perhaps they had given him this wound, with their weapons.  But… wouldn’t those wounds be cleaner?  Not unless—he squeezed his eyes shut, a sudden image enveloping his mind.  A small hole pierced, then suddenly blood and flesh scattered through the air as his side ripped apart.  Exploding bullets.

            But why had they shot him?  He was just an innocent civilian.  Wasn’t he?  He had been running, through the forest.  It was this morning, or some morning, at any rate.  He remembered because the sun was very bright, but it wasn’t hot yet.  He had been running—no, chasing.  Chasing something.  Chasing her!  But why would she run?

            Maybe she wasn’t running.  Maybe… maybe she was being taken away.  By the cops!  Yes, he remembered now.  The soldiers, or whatever they were, were taking her away.  He ran after them, so they shot him.  But why would they do that?  Why would they take her away?

            Thomas gasped for breath through his parched lips, breathing in the dust from the ancient house.  He coughed weakly, too weakly to dislodge the particles.  Come on, Thomas, think! he thought to himself.  They had to have had a reason for taking her away!  Why did they do it?

            As some electrical appliance somewhere in the house kicked in, the lights flickered.  Come on, Thomas  His eyes roved blurrily around the room, searching for an answer.  He found it on his right triceps.  What at first appeared to be a black smudge turned out to be a number when his vision cleared—a serial number, by the looks of it.

            Yes, that was it!  His serial number… of course!  When he had escaped with Ilsa, they didn’t care, thinking them too weak and unprepared to survive in the real world.  But they had.  They had survived, and had lived to tell the world, to found an organization to try to stop them, to stop the testing and human experiments.  That was right.  Then they had found out about the agency, and come after them…  He ran with Ilsa through the woods, headed to the underground.  But they caught her… and shot him… And he had survived long enough to get back to this house… And now it was his turn to wait…

            He leaned back against the side of the bed.  He hadn’t had the strength to hoist himself onto the bed, so he had laid next to it, staining the dust on the floor with his blood, which oozed through the bandage he had made from his shirt.  He closed his eyes, not caring when he heard the front door open, and only noting with vague interest that the ki-lank sound of walking belonged to woman’s shoes.  It felt a little better to have his eyes closed, and now that he had figured it out, he didn’t feel so bad about getting some sleep.

            “Thomas!”  It was her.  He opened his eyes, and there she was, standing in the doorway, looking more beautiful than he could remember.  Her hair was a golden waterfall past her face, her lips, rubies, beautifully accented against her gray blouse and skirt, and hose torn from the run.

            “Thomas, darling!  You’re hurt!  Oh, thank goodness I’ve found you!”  She ran to him and cradled his head in her arms.  “Do you think it’s bad, Thomas?  Will you get better?”

            “Ilsa,” he choked, his voice bloody and raspy, “how did you escape?”

            Ilsa froze, and even in his delirious state he could tell what that meant.

            “You… You told them?

            “I had to, darling.” Ilsa crooned.  “It was the only way they’d let me see you.  They’re taking me back to the institution.”

            “Taking… you back?”

            “Yes, they said there was more testing to do.  But we’re together now, that’s all that matters.”  Her foolish, innocent eyes looked lovingly into his.

            “Ilsa…” He was choking on blood and dust, and his vision was fading to and from a spotty darkness.  “I can’t let them violate your body like that…” He knew that her memory would be erased, and they would start all over on her, test after heinous test… No one deserved such life, if it could even be called life.

            “But darling, don’t you understand?  It’s not my body, it’s theirs, and so is yours.”

            “They don’t care…” he gasped.  Maybe the Institution was right.  Maybe they were too immature and unprepared.  Maybe they really weren’t ready to face the real world…

 

            FADE TO BLACK

←- Dragonpyre | Goldilocks -→

DateNameComment 
27 Sep 200345 Jai Jaeschke
Differen't, and in a good way mind, was the title somehow influenced by Metallica's "fade to black"?

:-) Camilla 'Motone' Whitney replies: "Actually it's not. It's because I'm a film student and the term FADE TO BLACK is often used in scriptwriting to indicate that the screen... fades to black. I do like Metallica though ^_^ Anyway, thanks for commenting!"
30 Sep 200345 Caitlin May Waggoner
Have you read the book 1984? There's a similar sense here that the characters are first rebelling, then giving in to the control of higher powers. Kind of subtly creepy. I liked the FADE TO BLACK metaphor thing, it was an interesting way to end it. Have you considered using other camera shots and such during the story? Even in a different story, it might make a really cool theme. Heh, don't mind me, I tend to ramble. Great story, anyway.

:-) Camilla 'Motone' Whitney replies: "I've been meaning to read 1984 for a couple of years now ^_^* But this is actually the first incicdent of the camera shots occurring inside a story... I dunno, i actually haven't thought of using it in anything else."
14 Oct 2003:-) E. Hanna
Brilliant opening hook. It sets the scene and pulls the reader in right away. The device of the gradually returning memory was also well used. I personally would replace 'darling' with something more intense to fit with the theme and flow of the story: 'love', 'my love', or perhaps 'Tommy'. But that's just my personal view.

Genius job of leaving just enough detail to the speculation of the reader and just enough to the haunting imagery and information you give in the story. It's a very well-written scene indeed.

:-) Camilla 'Motone' Whitney replies: "Thanks a lot. I appreciate it, really. I know that could sound sarcastic, but it's not, I swear. ^_~

I dunno about that darling thing. Ilsa doesn't really understand the situation, she doesn't even really understand love. She has a rather juvenile, stereotyped view of it, as more of a cuddly, fulfilling her own emotions (more selfish) than a deep bond.

Or at least that was what I was trying to get across."
6 Nov 2003:-) Jamie Herrington Gorton
I'm on the other side of the table from E. Hannah. Sorry, but I hate thinking. Perhaps there could be an expansion in the works?

Aaah, its great as a stand alone piece. I just hate thinking 14

6 Camilla 'Motone' Whitney replies: "Sorry Jamie, no expansion. I don't plan on doing anything with this because if I did then it would become another one of those stories I just run our of ideas for and never end up finishing. So yeah. But I hate thinking too. Well right now I do. Sometimes I like it. Er... I'm gonna stop rambling now."
15 Nov 2003:-) Alice Muffin Girl Smith
~ “He fought his exhaustion with every dry inhalation of musty air, pain raging through his side as he breathed in, pain dimming to ***math*** the throb of the lights as he breathed out.” << Mayhaps “match”?
~ “But he ***has*** to remember.” << Methinks “had,” considering a sudden shift in tense that is not cared on throughout similar sentences (thus indicating a sort of internal thought train), is generally not a good idea. *blinks* That sounded smart. Where’d that come from? *alien detaches from the back of her head sullenly*
~ “He closed his eyes, not caring when he heard the front door open, and only ***nothing*** with vague interest that the ki-lank sound of walking belonged to woman’s shoes.” << “noting,” methinks? Cool sound effect, there, by the way. =^_^= Me never seen thatie one befores.
~ “Her hair was a golden waterfall past her face, her lips, rubies, beautifully accented against her gray blouse ***ans*** skirt, and hose torn from the run.” << “and”

Hmm. The dramatic ending would be more effective, at least in my mind, if you developed the character(s) and their situation a bit more. Too many unanswered questions just detract from the theme, especially in li’l bite-sized readings like this. What did she tell them? What “agency” (is that referring to the experimenters or the organization founded to fight ‘em?)?

Why would they let her go back to see her husband, after going through the trouble to capture her? On that same thought, why would they leave him to possibly survive when they could have easily caught him, or killed him? And why do my shoulders hurt? *alien mutters something about ungrateful bakery products before detaching completely and leaving for the Mother Ship*

Also, why did she speak the way she did (ie: “But darling, don’t you understand? It’s not my body, it’s theirs, and so is yours.”), if she was a founder of an organization which fought against them?

So many plot holes... I can see what you were trying to convey in this –at least, I think so- but a bit more work in this would let you say it with more “omph.”

*discovering that the Mother Ship has left without him, alien is to be found standing on the side of the road, holding a sign as he tries to hitchhike:

“Galactic Center”*

On the bright side, your descriptions and portrayal of emotions was simply exquisite. Contrary to all the above, I really enjoyed reading this. =^_^= Man... why do I sound so smart lately? Look at all deem biggie words. *goes off to look them up in a dictionary*

*Alien wonders idly whether he remembered to administer the antidote to the potent neural toxin he uses to fuss his body to human heads*

:-) Camilla 'Motone' Whitney replies: "Muffin, you are the living end.Hehe... math was the most terrifying thing I could think of at the moment... ¬_¬I should really pay attention to stuff when I type them, shouldn't I. Of course I have the same problems with longhand as well... I'm always switching tenses. It's all present before me, one great and glorious NOW. Not really though.Poor ikkle alien."
21 Nov 2003:-) Dylan Cline
.... Had to read .... title ... too ... Metallica .... Love Metallica....


Anyhow, if you haven't yet pieced it together, I was jumping from site to site (came from E's place) and I ended up here. Needless to say, I had to read the story because its titled Fade To Black, and that - if you didn't know - is a song off of the Ride the Lighting cd (which was released in 1984, for anyone who cares). I must say, I am impressed. You've done Metallica proud. Good job. I can't say that very often. Anyhow, enough rambling. And hey, drop by sometime.... *waves fist in a none-to-serious way* Or else!

~Dylan F. Cline~

:-) Camilla 'Motone' Whitney replies: "^_^ Metallica ro><0r5... I love all the metal stuff.. even though it's from before my birth (this album, anyway) I really love Metallica's cover of Whiskey in the Jar. It's great stuff.

Ahem. Anyway. Thanks for dropping by! Don't you love page-hopping? One of my favorite pastimes."
1 Dec 2003:-) Dylan Cline
Yep. Definately is a good pastime. Anyhow, yep. That album is before my time too (born on dec. 31 1985) but it's still great. Anyhow, just thought I'd drop by again. So ya. Look at me visit.... well, I gotta go. Bye.

~Dylan F. Cline~

:-) Camilla 'Motone' Whitney replies: "I'm almost an entire year older than you.... Muahahahaha...."
31 Dec 2006:-) Laura Soret
Gah!! I feel like that when i´m home alone at night!!! It gets worse when not even my dog´s around following me... Don´t you just hate that creeeepy silence *shivers* <-- that´s THEEEEM!!! Cool, the way you set the mood and all. And yeah, that memory comming back thing is really well done, really hooks you. Weepyyy!!! Good jub!
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About 'FADE TO BLACK':
 • Status: OK
 • Created by: :-) Camilla ´Motone´ Whitney
 • Copyright: ©Camilla ´Motone´ Whitney. All rights reserved!

 • Keywords: Future, Experiments, Testing
 • Categories: Romance, Emotion, Love, Techno, Cyber, Technological
 • Views: 203


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