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Leigh *Shwin* Erickson

"The Pianist" by Leigh *Shwin* Erickson

SciFi/Fantasy text 24 out of 25 by Leigh *Shwin* Erickson.      ←Previous - Next→
 
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This is for my 250th commenter, Gabs. Ironically enough she plays the piano... fitting don't you think? This is a twist on what playing the piano is like with synesthesia, I tried to convey some of the images that come to my mind with the notes.
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←- The Great Evil | Bonded -→

The pianist’s long hair fell into his closed eyes as he sat on the bench. He breathed in the dusty air with a deep, careful reverence, letting ancient memories fill his mind and heart. The piano and its room of secrets had long been abandoned. He had, many, many years ago, decided that the piano was a child’s toy, something a grown man didn’t need. It was in that attitude that he left the piano, left the room, left the truth.



A silent tear ran down his cheek. How foolish he was then. If he known what he knew now... if he had known the true meaning the secrets of this room held... he breathed another sigh. What he wouldn’t do to be able to return to the day he left and live his life differently... but he couldn’t. There was no way.



But he was here now. He had returned.



Tenderly he drew his fingers along the wooden surface of the piano, smoothing away the dust. Just the touch thrilled his skin. Until he felt the grain of the wood with his hand he hadn’t realized just how terribly he missed this. He breathed a deep sigh, reveling in the feeling or belonging and warmth, then set to cleaning the long abandoned piano. For many hours he sat there, carefully, meticulously brushing dust and dirt from its surface. A swirling cloud hovered around him, suspended in the single shaft of silver moonlight let in by the high window. He pulled a soft rag from his pocket and polished the wood to a warm sheen. When every inch was shining he sat back and sighed. His work was finished.



He dropped the rag to the floor, sending more dust up to join the cloud still falling around him, but he didn’t notice. He closed his eyes and placed both hands gently, with tenderness, on the keys and began to play.



At first, there were slight bumps in the music as his fingers readjusted to the now shining keys. He grimaced at these, but continued on, knowing he had to. There was no other way. He played, and played, growing more and more skillful, bright melody after melody until the moon had fully risen. With a sudden silence the pianist stopped. The moonlight completely surrounded the piano, enveloping it in a soft brilliance. A look akin to anticipation spread across the pianist’s face. “My old friend, it is time.”



He closed his eyes and set his hands once more on the keys. The song he played now was haunting. Thirds and sixths in perfect elegance coupled with dissonance corrected lined the edges of the room. Its melody spread into a wide, peaceful beauty performed with unmatched skill. He leaned over his piano, lips slightly parted, eyes closed, every inch of his being showing the passion with which he played. He was completely lost in the music’s world.



The moonlight caught every note, spinning and weaving a glorious tapestry about him. Layer upon layer of metallic brilliance rippled around him, every chord a multiple paned rush of light. Smooth glass notes brushed against his skin, mixing with the moonlight, slowly solidifying into a warm land filled with peace and colour.



The pianist knew by the glowing swirls of metallic light that the time was ripe, he had but to shape the music to his will... then he could finally go home.



He played the stream into existence, the cascade of melodious notes matching the smooth metallic blue cascade of water that now filled the room. He laughed softly with the stream, asking what to add next. The image of a grand chain of forested mountains filled his mind and he began to play them into being. Great, majestic chords and vast sweeping arpeggios filled the room draping over themselves in perfect harmonies, falling into form like a layer of thin fabric over an invisible model. One by one with playful thirds and seconds he formed the notes into flowers and blades of velvet grass. The scene, the embodiment of simple beauty, hovered around him. With careful chords he reinforced its fabric and looked above him. He just had yet to play the sky.



With smooth, haunting runs he painted the blue dome overhead. The lower notes creating the deeper hues of the variegated azure sky while the higher ones smoothly pulled forth the paler shades. He sighed as the clouds began to form, in perfect sync to his will and to the music. With a renewed vigor he played a storm into existence. The sky darkened with thick, black clouds as the chords gradually became louder, lower, and more dissonant. With a sudden flash of colour the first lightning bolt was born. A crash of the piano keys brought forth a deep boom of round, grey thunder and then, with a great delicacy, the rain began to fall. It fell on the pianist, flattening his hair to his neck and his clothes to his body; but it did not touch the piano. He raised his hands to the storm, feeling the cool, shining wet of rain, the great silver coarseness of the wind, and feeling the heat of the lightning, so close...



He waited for the moment when it would bring him home.



The scene began to waver, its fabric slowly coming undone with the passing of the moonlight and with the dying echoes of the song that had woven it. Still the pianist stood, moving behind the bench so he stood in the middle of the room. With closed eyes he felt the thinning rain still falling on his upraised hands, still heard the fading thunder... the cooling lightning... he stood as long as he could, wrapped in the memory of the landscape; the memory of his home.



He fell to the ground, tears mingling with the wet of the remembered rain. Slowly he pushed himself to his knees, straining to remember how to return. He searched and searched in his mind and in the fading echoes of music, but could not remember. He would try again. He had to try again. He attempted to stand then and reached for the piano for support only to find he was reaching for the thin shaft of waning moonlight.



His friend and companion was no longer there.



He was too late, he could never go back. He had been away too long, had abandoned too soon, and had shunned with too great a hatred. He had been rejected by the secrets of the room and could never return to innocence. “I’m sorry.” he whispered, now devoid of hope. With quiet feet he rose and placed a hand on the doorknob. He turned it was a slow motion, forced once again to enter the world he had been exiled to so long ago. This cruel world called Earth.

←- The Great Evil | Bonded -→

DateNameComment 
23 Sep 200545 Shari/Mom
Child of mine....this is still my favorite though I love most your works....when you going to publish? How about yesterday. Love you.only most? thanks mom^_~ aw {{HUGS!}} you were on my page! now you have a link back^_~
1 Dec 2005:-) B. Layne Weaver
I'm positive I read this at some point... I must've just been too shy to comment. *reads above comment from Leigh's mom* Aw... that's so sweet! I actually got a little teary-eyed! I can be so emotional sometimes. And don't worry, Leigh's mom... she'll be home before you know it! We all miss her, too.
or maybe the crash ate it, that's quite possible... {{then proceeds to blush profusely}}

"If he [*] known what he knew now... if he had known the true meaning the secrets of this room held... he breathed another sigh." [missing a 'had' there, sweets 12]
thanks...

It's obvious... your love for music here. You write the pianist's passion so beautifully...
{{blushes again}} 'nks

“I’m sorry.” he whispered, now devoid of hope. -- comma after 'sorry' rather than a period
punctuation not my strong point... thank you!

ahh, beautiful. Nicely done! *applauds*{{grins}} thank you, brandi!!
29 Oct 200645 Panu Karjalainen
Ah. You have interesting descriptions. I got the impression he was playing for the moon, he had some of the protean beauty of it, and the gentleness, and even a bit of the harshness...
ah, thank you^_^ i was trying to write some synesthesia into it... he could have been playing for the moon- i'm not sure who he was playing for, but he seems to like that idea, he tells me^_~

I often strive to capture the kind of... sense of nostalgia, I suppose, in writing, but it's almost frustrating how I can't. I think you've represented some of that here, the way we leave something behind and can never afterwards return to it save in memory.

:-) Leigh *Shwin* Erickson replies: "thank you! yes, expressing such deep emotions into little, crude words is impossibly frustrating i think... i really must get over to your page... thanks so much for reading and commenting^_^ {{feels special^_^}}"
25 Aug 200745 L. Shanra Kuepers
body; but it <- semi-colons never come before ’but’ (unless you’re joining several sentences with a semi-colon already, but they’re ugly sentences to begin with), since ’but’ is a subjugating word. Clauses aren’t equal, therefore you can’t use a semi-colon and are stuck with a comma.

~oops... thank you!

landscape; the memory <- colon. I have a tendency to attack punctuation, you’ve probably noticed. But it’s usually the small and little things, like this, that wreck the most damage upon my reading enjoyment. ’tis a pity because it’s a beautiful, image provoking piece.

~But punctuation is a wonderful thing to attack! I’m glad you’re pointing all that out!

�I�m sorry.� he <- comma, not a period. This, now this I can actually explain semi-decently. ^-^ In my opinion, which means it’ll probably baffle everyone else. Ah, well. ’Whispered’ is a speech verb, so the direct speech becomes the object. Try replacing it with ’that’.

"That he whispered."

Of course you’re looking at an OSV structure here, so for something more resembling a proper English sentence you’ll want to move ’that’ to the ending.

"He whispered that." See? All one sentence? That’s why there’s a comma there and not a period.

~Hmm... I will most definitely fix that somehow... thanks for the suggestion!

Very sad ending, though. I’d expected it to have a happier ending. Poor man. I loved it, though. The description of the world he wanted to go to and the piano play was utterly, absolutely gorgeous. (Eeh, I’d take out the comma nit Brandi caught, but I’ve rambled a bit much on it. If you’re still having trouble with them it’d be more useful present rather than absent.)

Anyway, story. I was talking about the story rather than nits. Sorry. I drift as well. I loved the sense of music in this and the passion for it. I loved the strength of the narrative and the way it felt like music. It’s very easy to write about an art, but it’s much harder to make it feel like that art, rather than words on a page. (Er, I think in dialogue and/or prose, so...) I loved that. Very beautifully done. ^-^

:-) Leigh *Shwin* Erickson replies: "Thank you! I most certainly appreciate the time and effort you’ve put into your comments! I’m so glad you’ve come to my page^_^ And I wanted this to end happily, I truly did, it’s just it felt too fake to make it a happy ending... I have issues with happy endings, unfortunately^_~
Again, thanks for reading and commenting, I appreciate it!"
25 Aug 200745 L. Shanra Kuepers
Hello. Here at Cecily’s recommendation. ^-^ General warning, though I’m not sure how well it’ll hold up: I nit, I babble, I leave all the good stuff until last (unless it’s a ’yay, I love this!’ nit) and I can be confusing. That said -- Onwards! ^-^

~Hello! I’m very glad you’re here^_^

he pianist�s long hair fell into his closed eyes as he sat on the bench. <- Question: how can hair fall into -closed- eyes? I’m sorry. I know this is a pedantic question, but it’s not (in my opinion and that obviously differs) physically possible to fall into closed eyes. Against eyelids, yes, but that’s not the same.

~True... I suppose I was just meaning within the line of sight of the eyes... hmm.

that he [had] left the piano, <- need to be consistent with the previous had since you’ve just made clear that he went back.

~Thank you...

But he was here now. He had returned. <- I really like that touch. Very nice and powerful. Even though the reader already knows he’s back, it’s still powerful. It reinforces the significance of being back.

he [had] missed this

feeling or belonging <- of? This could go both ways, if you ask me, but just to be sure that I’m reading what you intended it to read. Mmmhhmmm... I just noticed the first comment dates on this. My apologies if I’m catching things that you’ve already changed/fixed.

~Thanks for catching that... I’m not entirely sure what I meant there, but will certainly go take a peek at it...

When every inch was shining he sat back and sighed. <- And, given that the only described light comes from a single shaft of moonlight, how does he see that? (Sorry, sorry. Quite possible that my eyes are worse in the dark than everyone else’s, but it just seems like it’d be way too little light unless it happened to fall right on the piano and spread across the whole, which wasn’t clear from the story. *shrugs helplessly* See? Pedantic, me.)

~Hmm... pretty shiny? I’ll take a look at that... my being poetic in the lighting might not work for his eyes^_~

more skillful, bright melody after <- *raises hand* I’m lost as to what you’re trying to say here. It’s because either ’bright melody’ is a wholly separate clause or because ’skilful’ goes with aforementioned ’melody’ and should be an adjective not an adverb. Mmmhmm, that sentence gives me a headache. Sorry! ^-^;;

~I’m terrible with commas is why^_~

was ripe, he had <- semi-colon. Commas join unequal clauses (and adjectives/adverbs), semi-colons all the rest. That’s a gorgeous description, though. I really, really like the way you’ve done that.

~Thanks and thanks! I hope my punctuation has improved from writing this... I appreciate your picking all the oddnesses out!

then, with a great delicacy, the rain began to fall. <- That little interjection there is brilliant. I love how you manage to build up a crescendo within the text itself and then, haltingly, slowly, softly, caressingly, hesitantly bring it to a halt. I’m sure that makes sense somewhere. But I love the feel that that interjection gave it.

:-) Leigh *Shwin* Erickson replies: "My thanks^_^ I’m glad it worked^_^ I’m liking your comment style thus far!"
23 Mar 2008:-) Désirée Dippenaar
Wow! This story is so beautiful! I love the descriptions, and the emotions are expressed so well - the last sentence was especially haunting, and sad. The Pianist seems to have an interesting background... wonder where he’s from...

You write very well! ^^

:-) Leigh *Shwin* Erickson replies: "Thank you! I’m so glad you liked it! I do love my pianist... I’m not entirely sure where he’s from yet (he hasn’t told me), but he is adapting to life on earth at the moment...
I’m so glad you enjoyed it! I did stop by your page... you look very interesting... I was a shy thing and didn’t leave you a comment... but hopefully I will be brave and will leave you one soon! Thanks again for stopping by my page! I appreciate it!"
2 Jun 2008:-) David Michael
At paragraph 2, I was about to start making notes of a few grammar/punctuation things here and there, but I thought "hold on, maybe someone like Shanra or Cecily has already commented here," and yup, there’s Shanra’s wonderfully-detailed editing, right there. Which is great for me, because I can skip right ahead to the piece itself. I didn’t think there was much at all for me to nit about, but being able to skip even that is nice. )

Meh, it’s an older piece so it wouldn’t surprise me^_~ But thanks for intending to look! I appreciate you reading and leaving multiple comments!

Being a long-time piano player, and one that desperately wanted to quit as a child but is now glad for the skill, AND being one who perhaps gets a little too wrapped up into his music when he plays and envisions vistas more or less like what you’ve described here, I s’pose I can rather relate to this. To the point: I loved it. See: I’ve even favorited it! I so wish I had synesthesia, all the moreso since hearing Shanra talk at length of her experiences. But my imagination has served me well enough.

:-) Leigh *Shwin* Erickson replies: "{{glows}} Yay! I am so glad you enjoyed it and could relate to it a bit^_^ And I am very, very glad for my synesthesia... I wish I could share it!"
2 Jun 2008:-) David Michael
Part 2

Firstly, your writing is superb. I always love rich imagery, perhaps too much, and this spoke right to the heart of what I love. Such an excellent way to portray music, and so true. That’s the second, most important point. I’ve had so many moments just like this pianist, the difference being that I haven’t given it up, and his emotions at sitting down at the bench after a long absence are spot on. Do you play yourself? ’Tis remarkable if you have not. That’s what we call imagination. The most realistic touch was how his playing wasn’t perfect at first: he trips up a bit, and winces. So true. Happens to me all the time. I get home after a long tiring day, the house is dark and quiet, I sit down at the piano with just its light on, caress the dust off the keys, breathe in the wood and ivory, and then start playing a fabulous song....only to hit half a dozen wrong notes within the first few measures! It can be frustrating. But it’s good to just move straight on, as your pianist does. I’m not as great at improv as he apparently is, but I have written some pieces that correspond strikingly to some of the imagery you describe, particularly the rain and the storm. Loved those moments.

:-) Leigh *Shwin* Erickson replies: "Thank you! And yes, I do play and have for quite some time and am rather a lover a music who gets twitchy if she can’t play something every day, usually several times a day^_~ I’m so glad to hear you still play! I would be curious to know what sort of pieces you play... I’m always hunting new ones down, you see... and you’re making me wish I could hear your pieces! Improv is wonderful and something I keep working on... in any case, I’m glad you seem to like this piece and that you find it accurate^_^"
2 Jun 2008:-) David Michael
Part 3

I tried to describe playing the piano to Shanra once as if the musician and the song together dance, but you have captured another aspect of it here. Sometimes, you unleash the music. It pours from the depth of your being, and there’s little you can do to stop it. It’s taking you somewhere, and you just have to ride breathlessly on its wings, hoping you don’t fall off. Its pressing on the door, churning like the sea, and you open the door as steadily as you can as all the melody floods the room. That’s kind of what I got in this piece, and I liked it because it was true.

Mmm... aye. What a lovely and poignant description there! Very true... I love music^_^ I’m so glad this resonated with you!

The sad ending is sad (gee!), and I almost want to ask why he can’t rediscover his friend on Earth...but I won’t ask, because that would be pointless. The sentiment is well intact and needn’t be questioned by fools such as I. Thanks for writing this. Its breathlessness and joy of expression is hard to come by these days.

:-) Leigh *Shwin* Erickson replies: "Sorry... I meant for it to have a happy ending but it just felt wrong for it to be happy... I have a hard time with happy endings. And thank you... I’m so glad you enjoyed it and I thank you both for reading and leaving such a detailed set of comments! I hope your piano playing continues to be a moving and wonderful experience for you^_^ It’s good to hear from another pianist regarding this piece and just in general."
12 Jan 2010:-) Ray Valen
Oh wow, that was superb... I started reading and I was instantly captivated - doesn’t happen often. So beautifully scened that I found the room real, watching it form around me... That thing happened that made me love reading when I was a kid, where I forget the world and I think what I’m reading is real...
I mean that praise from the bottom of my heart...
Thank you! I am so glad it was so vivid for you! That is high praise and I sincerely appreciate it!

The first place I snapped out from my wonderful reverie was:
He turned it was a slow motion
Its a small mistake but really, when you’re stuck in something this captivating it just halts the reading flow completely. Thankfully it’s right at the end 2

:-) Leigh *Shwin* Erickson replies: "Ah, thank you. I’m sorry that was in there but thank you for making me aware of it! Again, thank you for reading and commenting!"
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'The Pianist':
 • Created by: :-) Leigh *Shwin* Erickson
 • Copyright: ©Leigh *Shwin* Erickson. All rights reserved!

 • Keywords: Exile, Innocence, Misunderstanding, Moon, Moonlight, Piano
 • Categories: Magic and Sorcery, Spells, etc., Mythical Creatures & Assorted Monsters
 • Views: 712

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