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K ´Karahatay´ Fink

"Meeting my Muse" by K ´Karahatay´ Fink

SF&F Picture 2 out of 2 by K ´Karahatay´ Fink
 
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Seringath Azteroth is a prominent character in all the stories I've ever written. It is here that I discover that he's been the one telling me these things all my life. There is a picture of hime in my sf/f gallery. ALSO it has been brought to my attention that who is speaking is confusing. I will fix that. CC is always welcome!
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In school I took a creative writing class.   About halfway through the semester we were sent to interview our muses, ask them to write a poem for us.   Mine was different from the other’s….   Nikki’s was a feminine, mischievous cat/woman who, it seemed, just wanted attention and got it by getting herself, and consequently, Nikki into trouble.    Danielle’s?  Well, I don’t remember much about Danielle’s.   Suffice it to say that hers was also a woman who was troubled at heart.   But, so were Nikki and Danielle themselves.    No, My muse, my muse was different ….

 

Because he talked to me in my head it was easy to set up an appointment with him.   There was a room, a portal between my world and his.  Everyone has a portal, but they alone can find it – themselves and the beings of the worlds it connects to.   My room was white, and very square, with average sized human doors.

 

-- Day 1:

I am early to the appointment.  I’d never actually met my muse in person before, and I was excited.   I’d been writing the stories he’d whispered in my ear for many years now.   Mostly it was the story of Kishone Quarfiet, the Alicorn, and her legacy.  At the time I’d been writing her parent’s stories, her father, Korrben Ariface, and her mother, Tatanian….   As I sit pondering who my muse might actually be a large, lovely dragon with whom I am fairly familiar with (but only by reputation) came into the room. 

 

“Good day sir!” I greet him cheerfully.

He looks at me irritably.

“Can you talk?”  I ask.

I see in my head an image of him biting off my upper half, and I realize he’s having a bad day.

His large body squeezes through the door meant for a creature many times smaller than him.  I try not to laugh at the ruffled dragon, but he just looks so funny!

Then, in walks Korrben Ariface!  My beautiful Korr!  He’s real then!  Could he be my muse?

“Hello, my beautiful.”  I whisper, awed at the sight!

*Hello….?*  confused he looks at me as I run my hand over his soft, soft cheek.  Of course, he speaks directly to my mind, in a thought speak type of way, just as he does in my stories.  If he could’ve, he’d have raised his eyebrow….. instead he looks at me full on – with those deep green eyes.

 

“Hello, Korr”  He’s not as big as I thought he would be.   Sadly I realize he’s not my muse, and that his being there would delay my muses’ coming.  “Excuse me, please, I need to have my muse eat- er, um, write a poem. - You’d better leave.”  He seems relieved as though being around me distressed him.

 

I’m a little disappointed that Korr isn’t my muse.  I’ve grown so attached to the Pegasus.   I find it’s hard not to fall in a sort of love with the creatures you write about.  To become so close to them, to know everything about them, even though they’ll never know you…

Korr leaves.  I follow him to the door and see there is a grassy plain surrounded by towering mountains.  I’ve never actually looked through the door of my portal before, but I recognize this place.  He’s taken me here so many times…

I walk into the field and am struck by all my senses.  The room was warm and still.  This place is full of life, green beyond green, there is a crisp breeze that smells of all the pleasant things of nature.   And, for the first time, I really smell it.  I really feel it. Magic!  It surrounds me and becomes me.

 The irritable dragon from before returns.   I decide to try to be a little more cordial with him, and a little less talkative.  After all, he’s been in my mind enough times…

 

“Please?”  I gesture toward the door.

            He’s still angry, but he goes in.  I follow.  I smile warmly.

“I will be your scribe” I offer.  He gives me a look of tolerance and resignation.

            I can’t understand his words, but he understands me.  Then, in my mind I hear him, I understand him, and I begin to write…

 

There in the dark forest I saw a fog /the fog was dark

I landed in the darkness beside the pond /the pond was large

My love flew down to me, she landed beside me

Her great silver wings folded beside me.

But he was there.

 

 

Day 2

            I’m in the room again, waiting for him.   I want to know more about him, about my dragon.  Over the night I’ve thought of better questions to ask him.  He’s just so hard to communicate with sometimes!  It’s exasperating!  As he comes in I wonder if he feels the same way about me.

 

“Do you have a name?” I ask him.

            He nods his head.

 

Talk to me! I shout in my head.   I don’t know if he can hear it, but I surely hope not.  He’s in a better mood today, but I feel it would not be wise to laugh yet at or with him yet.  I won’t bring up his mate.   He didn’t finish his tale yesterday, but I know now that he will finish it in his own time.   I cannot force this magnificent being.

 

“What do you like to do, sir?” I offer to let him take the lead.  It’s only polite.

He doesn’t answer, but we overhear my friends outside discussing their muses. 

“You know them already, don’t you?” I ask, curious.

-Yes.  (He responds in my head)

            I grin and nod, at a loss for something new to say, but for once he answered me!

“I’m not very good at talking…” I admit.

            He nods. 

-So I can tell.  (Again, he answers in my head as I cannot comprehend his vocal speech, he is a dragon, after all.)

            I smile.  He smiles, showing his many teeth, I’m not afraid.  In fact, I’m fascinated.  It’s a beautiful smile.  He’s a beautiful dragon.

Another silence.

“Do you enjoy being in my head so much?” I try to get a conversation going.

-Indeed.  (his response)

            Another silence, longer this time.  Were not good friends yet.  We may never be.

“You’re not as domineering or so troubled and troubling as everyone else’s muses.  Why is that?” I wonder out loud to him.

            He only smiles knowingly.  (he’s so frustrating to work with!!!)

 

They talk outside the door and it distracts me.  He’s gone again

 

 

Day 3

 

            Today, I’m at least going to get his name!  We’ve been given another assignment for our muses.   We’re each writing a “magazine” of our own works and our muse is to write the introduction.  Great.   I can’t even get him to tell me his name and now I need a poem and an introduction!

 

            Finally he walks in.   He’s definitely fond of going on his own time!

“Would you write for me?”  I ask.

-You cannot read my writing.  You cannot speak my language. -  he responds in my head.

            Blast!  There I go, asking the wrong questions again!

“Will you narrate for me?”  I try.

            No answer.  I take that as a yes, but clearly he’s waiting for me to start….

“What is your name?”

 

I see him settling down, like a cat.  He gives me an approving look and I know he’s finally going to tell me.  Success!  Here we go!!

 

I am arisath.  Old, but not so old that I have not love, young, but not so young that I am not wise.

 

            A long pause.  He walks out the door and I know I am to follow.  This time it is not the grassy plain.  We’ve returned to the shady pool of water that may be a pond, may be a river, may be a lake – to the one he spoke of on the first day.  The trees are the dark emerald green of the flush of summer, water full, and warmth just right.  I know this time, this place – it is the Time of the Prime.

 

It was in the Time of the Prime, the high point of not just a year or even a century, but the best time of a millennia.  I met my Love then, my Love with the silver wings.  We returned there once every ten days for yet another millennia for a dragon’s life is long.  One day she was there before I, and before I knew anything, She was never to be mine again.  My Love.  I buried her in the water – in the deep blue of the water shadowed by the dark pure green of the flush of the prime.  The prime just passing.  The prime long gone.

Revenge was not my life, my life was for my Love.  These are my writings, my mind expressed to you.  Here is my world.

 

Seringath Azteroth

 

            He left me there, to ponder his words.   But I had them, I had my introduction and I knew that when the time was right he would whisper to me the poem I would need.   So this was my muse.   Seringath Azteroth.  The narrator of all my stories I’d ever written.  They were his stories.  They were the stories of his life.   I knew, suddenly, what had happened to him.  I knew his whole life story, and now, I knew why he told it to me.

 

←- Fire | Fire -→

DateNameComment 
31 May 2005:-) Malin ´Silver Wind´ Nilsson
Yes, as they said above, a little confusing at times. But so much better than Fire! This is a great idea, and I've fallen madly in love with it. I've been pondering a lot about my own muse/muses (I haven't really had time to check)and I think it's lovely that you wrote this down for us to read. It's quite personal, though aren't most of the things that we write and draw very personal?

The only thing bothering my about this piece is that you change the tense from past to present after the first day (I think).

Otherwise, it's great!
Now I'm going to take a closer look at my own muse, who knows maybe I'll learn something?

:-) K 'Karahatay' Fink replies: "Thnak you! I will go through and fix all my tenses, now, too. Along with everything else mentioned! I appreciate your comment! (CC is what I put stuff up here for!)"
31 May 2005:-) Kidnero
I've read your story and the concept is original. I liked it, but like Sydney I had some difficulties to follow who was saying what. I had to reread it some times to understand, and I don't think of myself as dumb. 2

:-) K 'Karahatay' Fink replies: "It's not you, it's definately me. I was too close to see how messed up it was. Thank you for the comment! I intend, now, to re-work it. Thank you much!!!"
31 May 2005:-) J. Oliver
I like the idea of interviewing your muse and being able to hear your friends in the other rooms. I'm sorry, I found it a little difficult to follow at some points (it was unclear to me who was speaking sometimes). I like how he was grumpy and uncooperative, but it's too bad we never really learn why. It feels like you could really explore this! Just thought I would drop by and check out your new library (it's usually difficult to get comments in Wyverns). Good luck!

:-) K 'Karahatay' Fink replies: "I appreciate the comment. 2 No, really. This was one of those things that was put together in a way that I'm too close to it and can't see the flaws. I intend, now, to make it more clear who is speaking. Thanks! (and I wish I knew why he was so grumpy and uncooperative, perhaps I'll ask...) "
12 Apr 200645 L. Shanra Kuepers
In this, you've captured what I've heard from many authors and have experienced myself (well, to some extent, of course), so it's very easy to relate to it. It's a wonderful idea and well-executed. Not as well as you could, but that'll come with time and practice. ^-~ Er, what I mean by that is that you're not at your peak. It's very clear here that you have the ideas, you have the skill, you have the dialogue, you have the characters and the narrative, but most of the things I pointed at are things that right themselves with experience. Don't worry too much about whether something needs a comma or not. Sure, it's important and requires learning rules, but it's not the main focus. Good to know for future reference, though. ^-~

If anything, this story could deal with expansion on the descriptive area. I've given you a few reasons why with the dragon, but another would be that it helps to set up the atmosphere and gives a better feel for the narrator as a whole. What they notice. It gets harder to learn to balance your work as you write more, so it's important to find one now while the style is still experimental and flexible.

That's basically all for the general nits. You've got a knack for showing instead of telling, which is wonderful since it's probably the most common error, or at least the most annoying. You have a few moments where you force an opinion on the reader, but as it's first person it fits nicely. ^-^

It's a good piece (don't let the nitpicks fool you!). It's fresh and refreshing, and, more importantly, makes a person think. Muses are such fun creatures, though it's mainly characters that roam near me. Not the most pleasant of characters either. *sighs and shakes her head* Your dragon sounds so lovely. It's a wonderful introduction to him as well. Very intruiging, and he sounds like a wonderful character. ^-^

(Oh, and three piece comments appear to be usual for me. Sorry 'bout that. I ramble. I'm sure you've noticed 12 )
12 Apr 200645 L. Shanra Kuepers
[Talk to me!] I shout in my head. <- what I've bracketed needs to be in italics. It's just the way it's done. Open a random book and look at how thoughts are portrayed. 98% chance it'll be italics and in the other 2% it's for a specific reason.

speech, he is a dragon, after all.) <- again, needs to be a semi-colon

I smile. He smiles, showing his many teeth, I’m not afraid. <- smile/smiles, easy to rephrase to avoid the repetition, and again, comma before "I'm" needs to be a semi-colon. Well, or a period and sometimes a dash, I have to admit you can do those too. ^-~

He’s a beautiful dragon. <- so, uhm, why aren't we given a description if he's so beautiful? Surely there can be more said about him than just that. You're asking the reader to go off on a preexisting concept of dragons. What if yours is a Chinese dragon and everyone pictures a great, black D&D version? Or vice versa. Descriptions of any non-human being (unless they really are the stereotypes of fantasy races) is a must, especially when using cliche critters. Your gryphon might be a cat with wings, but unless you state that, people will be free to give it a completely different interpretation.

Were not good friends yet. <- we're.

he’s so frustrating to work with!!! <- 'He' and please don't abuse the exclamation marks. Using them as often in the overall piece as you have is fine, but three in a row is just jarring. Try and find another way of expressing that emotion or make sure the narrative is clearly one that would support this.

We’re each writing a “magazine” of our own works and our muse is to write the introduction. Great. I can’t even get him to tell me his name and now I need a poem and an introduction! <- Urgh, no. You have two sets of quotation marks, one for dialogue tags, one for everything else. 'Magazine' isn't a dialogue tag, so they should be singular. Vice versa would work to. You cannot use one set of quotation marks for everything. If you use one for dialogue tags, that's what this will indicate to the reader -- a spoken sentence. This isn't one. And uhm, why, if you've already been given the assignment are you now getting a different one? Needs some clarification there.

Personally, I didn't find it confusing as to who said what, but I can see why others would be. What irked me most, structurewise, was the fact that your indents were rather... random looking. You'll indent some moments and not others when by rights they should be. But I chalk that down to Word-formatting. Would that be a correct assumption?

Anyway, that's what made it annoying for me to read. I love the idea you have here. ^-^ I really like the twist with the placement. Most muse/writer meetings occur in the writer's world rather than somewhere in between and closer to the muse.
12 Apr 200645 L. Shanra Kuepers
Obligatory first comment note: I nit first (and tear as much as I can), and have general comments last. ^-^ Nits also include things I really like, but those tend to be pretty rare.

Mine was different from the other’s…. <- ellipses are three periods. Always three. Never two, and never four.

No, My muse, <- why's there a random cap on 'my' there?

Because he talked to me in my head it was easy to set up an appointment with him. <- I think (but get a second opinion on that) that you need a comma before 'it' since everything up to 'head' is a subclause.

Everyone has a portal, but they alone can find it – themselves and the beings of the worlds it connects to. <- they, rather than themselves. 'themselves' isn't a pronoun, though I'm afraid the proper English term eludes me right now. ^-^;

At the time I’d been writing her parent’s <- parents'. You want the plural in this case.

As I sit pondering who my muse might actually be a large, lovely dragon with whom I am fairly familiar with (but only by reputation) came into the room. <- comes, you're writing this in present tense, so stick with it. ^-~

Uhm... Dragon could benefit from a little clearing up. Is he stuck trying to get out of the room again or in? And would Korr be able to get in if there was a dragon stuck in the door? Lovely idea, though. ^-^ But I'll get back to that when all these pesky nits are out of the way. ^-~

“Hello, my beautiful.” I whisper, awed at the sight! <- 'whisper' is a speech verb, like 'say', 'ask', 'yell', etc. Speech verbs take everything in the quotation marks as a direct object, so it should all be one sentence.
"Hello, my beautiful," I whisper.
Exception to the comma are exclamation and question marks. I'm not too sure whether the exclamation marks in the narrative itself work, but they're not driving me batty.

*Hello….?* confused[,] he looks <- 'look' isn't a speech verb though. You can't *look* a spoken sentence, after all. So it should be
"Hello?.." Confused, he looks etc

If he could’ve, he’d have raised his eyebrow <- why can't he? Surely, if the narrator is as excited to meet him as it sounds, they'll a) give more description than we have so far b) explain why he cannot do that if only to remember it for themselves.

“Hello, Korr[.]”

my muses’ coming. <- muse's, since you want the singular. Unless, of course, you have multiple muses. ^-~

The room was warm and still. This place is full of life, green beyond green, there is a crisp breeze that smells of all the pleasant things of nature. <- that first sentence is a little... short. It reads a bit choppily. And in the second, you have a comma seperating equal clauses. Only semi-colons do that, so it needs to be one of that lot.

“I will be your scribe[,]” I offer.

He nods his head. <- Well, he'd hardly be nodding something else, would he? ^-~ It's unneeded, and create repetition in the next sentence where you do need the 'head' in the sentence.
14 Apr 2008:-) Nicoline Badenhorst
Hm. Hello. *pokes around a bit* Great story, if a little disjointed, what with all the short sentences. I’d like you to express your excitement a little more. You just sit in that room and wait for things to happen to you. Girl, you’re meeting your muse. That’s something that doesn’t happen everyday. Go, get up, dance a little, sit back on the edge of the chair. You’re a writer. The best thing that can happen to you is that you meet your muse!! Happen to the world, if that’s what you have to do.
I take it he wasn’t assigned to you the way mine was, but maybe you could start a little earlier, tell your audience when you first knew you had a muse. You’ve been writing for years with the help of your muse, why aren’t you friends, and intimate ones at that?
But apart from that, you’ve got a good sense of where you’re going. Keep it up!1
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About 'Meeting my Muse':
 • Status: OK
 • Created by: :-) K ´Karahatay´ Fink
 • Copyright: ©K ´Karahatay´ Fink. All rights reserved!

 • Keywords: Dragon, Muse, Writing, Homework, Life, Alicorn, Pegisus
 • Categories: Dragons, Drakes, Wyverns, etc, Humourous or Cute Things, Magic and Sorcery, Spells, etc., Mythical Creatures & Assorted Monsters
 • Views: 184


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