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| A writing excersize I created a while back, complete with instructions if you'd like to try it yourself, as well as the writing I produced using the excersize. :-) |
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This is not an actual story--this is part of a writing excersize. I should probably explain this a little more in depth before you begin reading. :-)
This is the fruit of a writing excersize I developed a while back, though I've sadly not gotten back to it in a while. The excersize works like this: write a "seed" scene, something that sounds as if it could be an excerpt from a completed story, but don't plan or think too much--just basically make it up as you go along. Re-read that "seed" scene once you've finished and write a list of questions the scene raises for you, things you'd like to know more about. Pick a question from that list, something that particularly intrigues you, and write another scene as an "answer" to that question--another scene that seems as though it could have been excerpted from a completed story, and that illustrates or somehow answers the question you're asking.
From there, you can proceed down your list of questions and write more "answer" scenes, or you can make a new list of questions based on the new scene and write "answer" scenes from those questions. In fact, you should probably do both. :-) Each time you write a scene in answer to a question, you've created the possibility for several more questions based on that new scene, so the excersize multiplies exponentially and works as a sort of web of "seed" scenes and "answer" scenes.
This excersize can help you flesh out a character (or several characters), and it can also help you flesh out a plot and its details. You can use this excersize merely as a starting point until you've given yourself a solid foundation on a story and its characters, which you can write starting from scratch using the excersize as "source material" or "notes," or you can even construct an entire story by "stitching together" these scenes into a coherent and complete story, rewriting, editing, and adding where necessary for flow and continuity.
The character I used in this excersize ended up becoming the protagonist for a novel idea I've had banging around my head for a long time (currently titled The Grove). I had known since I came up with the novel idea that the protagonist was a thief/rogue sort of character--a drifter with a chip on his shoulder, a set of sticky fingers, and a surprising hint of a moral center for someone in his, erm, line of work. But I didn't know anything else about him--I didn't even know his name.
I actually wrote the original "seed" scene in this excersize in response to a completely different writing excersize for an online writing class I was in at the time, and shortly after I'd written it, I knew that the character I'd written about was the protagonist from the novel idea I'd had in mind. It was a little while after that that I created the "scene webbing" excesize outlined above (which other writers have probably already tried in some form--it's not really that mind-blowing an idea, I'd simply never heard of it before from anyone else :-), and I chose that old scene as my "seed" scene to begin exploring a bit more about the character. And the rest is history. :-)
For those of you who may be interested in reading more about the story this character (and, in theory, these scenes) comes from, a basic synopsis of The Grove follows the scenes. The story concept is still a work in progress, so things may change somewhat once I've completely fleshed out the story in enough detail to begin writing, but the synopsis is basically the core of the story as I have it thusfar.
The damp leaves crunched and crackled under Dathril's boots as he slowly made his way through the creaking trees, each of which was edged in faint silver light before fading into blackest shadow. He hadn't brought a torch so as to keep his approach secret, so the dim and half-covered moon was his only guide through the dense thicket of trees and underbrush and other unknown silhouettes that he kept a good distance away. It had rained all evening, and the rainsoaked leaves underfoot had a damp mustiness about them, the sickening sweetness of decay and rot and things better left out of mind. The dimness of the moonlight made it difficult enough, but every breath brought a billowing cloud of mist right in front of his eyes and his shivering unsteadied his vision. A creaking pop behind him made him reach reflexively for the sword at his hip as he stopped still and silent, listening. He held the supple, comforting leather of the hilt tightly as he peered around, remembering the last time he was ambushed, and still tasting the bitter blood and bile that had welled up in his mouth from the dagger to his gut, an incident he'd just as well not repeat. His knuckles ached from his grip on the sword, but he held tight and waited.
Hiding in the corridor, Dathril measured his breathing and kept his body so rigidly still he might have looked like a statue if he could have been seen at all. He heard raised voices coming from the large room ahead, but he dared not venture any closer. Instead, he focused all his mind on those angry voices and listened hard.
"You've been stacking the bets, Kirgan-don't think I haven't noticed!" said the burly voice of one man. "But that's not what angers me, since I never held any sentimentality toward running a lawful establishment. What angers me, Kirgan, is that you've been stacking the bets and then awarding yourself all the overflow, leaving me completely out of the loop!"
"Ah, yes, sir...I, ah...," stammered the voice of another man, though this voice was thinner and oilier.
"And on top of it all, Kirgan, I've discovered that a number of items are missing from my offices, and I've heard tell of similar items being sold by Damerge's quite recently. Besides myself, you are the only living soul with a key to my offices."
"But sir, I would never...that is to say, I couldn't have...." The thinner voice was rapidly increasing in pitch.
"I cannot simply let a thing like this go, Kirgan. They'll think I've gone soft, and then every jack in town would be trying to take advantage of me."
"B-but sir, you couldn't possibly harm me--I am promised to your sister. I am nearly your own family...."
"I'd do in my own mother if she overstepped the bounds, but she's smart enough to know better. You, my boy, obviously are not, in which case you would have made my sister a very miserable lady-and I'd simply have to take care of you at some point in the future for that. This is a win-win situation, friend. Well, for everyone but you--but then, it was your own stupidity that got you here. Galdean!"
This last the burly man shouted quite loud, and in response, a new voice answered.
"Yes sir?"
"Take Mr. Kirgan here down to the cellars for a bit of stretching. If your men get a bit...carried away, and a limb happens to pop off, just toss it to the dogs, they're probably quite hungry. When you've finished with him, tie a block round his neck, toss him in the river, and get him out of my sight."
"Certainly sir!" said the new voice with a bit more excitement than Dathril was comfortable hearing under the circumstances. There were sounds of a slight struggle, Kirgan's thin, oily shreaks of protest, and finally the heavy closing of a stone door. Dathril listened very closely to determine whether the burly-voiced man was still in the room. A few heavy footsteps on the stone floor told him the room was indeed still occupied, so he settled himself in to wait.
No sooner than he had shifted his weight slightly from his rigid position, he realized he was not alone. Half a second later, he felt a dagger sink into his stomach like a slab of ice, his knees failing him. He looked up into the face of his attacker and felt a wave of surprise surge through him as he peered into the eyes--feminine eyes. The lower half of the face was covered, but the eyes were unmistakably those of a woman, pale blue-grey and hard. He tasted the blood as it welled into his mouth, mingled with bitter bile from his impaled innards. He slowly slid down the stone wall and collapsed into a bleeding heap on the cold floor. His attacker crept quickly away with the ease of a cat and approached the room Dathril had been listening near, finally disappearing out of his darkening sight. He was on the verge of blacking out, but he fought the waves of inviting darkness as hard as he could. He got unsteadily to his feet and weakly made his way through the shadows, back out the way he'd come in.
On a higher plane beyond the world, there is a sacred grove of trees, and these trees are the "gods" of the world. They bear fruit, each a different kind, and the fruit they bear are the souls of those who have died in this world. When someone dies, their soul goes to the Grove and blooms on the branch of one of the trees as a flower. This is a "resting" period for the soul, during which time the soul becomes a fruit and ripens on the branch. When the soul is ready to be born into this world again, it drops off the tree, and the moment it hits the ground, it is reborn in this world.
The Grove is very holy and sacred to the people of this world, and their religion revolves around it and the worship of the individual tree-gods within it; it is also the source of all magic in the world. A group of priests called the Caretakers ceremonially take care of the Grove, though the Grove needs no actual care; the Caretakers ceremonially watch over and maintain it and perform important rituals there on the behalf of the people. Only the Caretakers know how to enter the Grove.
The story follows Dathril, the character in the scenes above. Dathril is a thief and doesn't generally care about religion, gods, or his soul--or anyone else's, for that matter--so the Grove and the Caretakers don't interest him much. There are also two other groups of people; one group wants to overthrow the Caretakers and take control of the Grove for their own benefit, and their plan is to eat of the fruit (consuming the souls of the dead, thereby strengthening their own souls and lengthening the time they can remain in this world without regenerating), drink of the trees' sap (which they know will give them immortality), and control the people by controlling their gods, their sacred Grove, and the source of their magic.
The other group also wants to overthrow the Caretakers, but they're far more destructive in their plan: they plan to first drink of the sap and consume all the souls they can, make magical artifacts out of the wood of the trees, then destroy the grove altogether and seal its entrance. By doing this, they believe they will be immortal and will be the only ones in the world to be able to use magic, via the artifacts made from the trees' wood. What they don't realize (though the first group does) is that drinking the sap once only extends the life of the body--actual immortality is gained by regular consumption of the sap, which isn't possible if the Grove is destroyed. So the second group will inadvertently be sentencing themselves to death anyway in the long run, because, while their souls may be able to remain here for a long time, their bodies will die after a lifespan only somewhat longer than normal.
Another side effect will be that the souls of the dead will no longer have a place to regenerate and be reborn from, which means they will simply wander the world as "ghosts" forever, while children born after the destruction of the Grove will have no way of obtaining souls, so everyone from that point will be born without souls. The first group understands these balances and seeks to gain power through the Grove without upsetting the balances of the world (because that wouldn't be very helpful to their plans). The second group is more violent and impetuous and hasn't thought things through as well as they should. Both groups are as opposed to one another as they are opposed to the Caretakers, though the second group is unaware of the first group's existence.
The story begins when Dathril is kidnapped by the first group (because of his reknowned talents at sneaking and stealth) and is forced to go "undercover" into the second group as an agent for the first group. There, he discovers alliances that could help him, erm, line his pockets, and so turns double agent against the first group and ends up playing in both fields. He is eventually captured by the Caretakers, who explain to him the destruction both groups will cause to the world (destruction which will severely hinder his own "vocation"), and they eventually talk him into being a *triple* agent for them within both groups, at great risk to his own life. The fate of the Grove, and of Dathril's entire world, rests on his shoulders, and he alone is in a position to save it--or seal its destruction.
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| Lady Greensleeves (Prologue) | The Apple Tree |
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